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Motley Crue Artist Feature


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Biography
Motley Crue the undisputed Bad boys of the Hard Rock Scene, have been one of the most popular artist of that genre of music for over fifteen years.

In 1981 Nikki Sixx joined up with Tommy Lee, abandoning their current bands, and formed Motley Crue. They soon added Vince Neil (Wharton)on Vocals, and Mick Mars (Bob Deal) on lead guitar. With Sixx as the bassist, and Lee drumming the foursome struggled to come up with an imaginative name for their new group. It was Mick Mars who suggested Mottley Krue. The new name donned Motley Crue, the boys began to infiltrate the LA music scene, capturing a wide audience with their aggressive sound, and stage theatrics.

Here is where Allan Coffman fits into the picture. Coffman so believed in the band, that he financed their first record, "Too Fast For Love". The independent release soon sold out it's initial pressings of 2000, and they decided to go for broke, and ordered up almost 30,000 copies for the second pressing.

Virgin records, and Elektra showed interest, and offered Motley Crue recording contracts. The Crue signed with Elektra and released a remixed version of Too Fast For Love for the label. Touring was on the agenda next, while the Elekra Version of Too fast For Love sold well.

The follow up to the debut record Shout at the Devil landed the band on the Top 20. The band found their first brush with controversy with this record, when fundamentalist labeled them Devil Worshipers, siting the bands pentagram Logo, and lyrics from the Shout at the Devil Record.

Then tragedy struck, Vince Neil was driving a car under the influence of alcohol when he smashed into another car, killing his passenger Nicholas Dingley of Hanoi Rocks, and critically injuring the people in the other vehicle. In 1985 Vince was convicted of Vehicular Manslaughter, and Driving while intoxicated, and ordered to spend 30 days in jail, serve 200 hours of community service, and pay a fine of $2.6 million dollars.

By 1985 The dark sound and leather were replaced by silk, lace and lip stick. The Crue went Glam with their Theater of Pain record. The power ballad Home Sweet Home would become a major crossover hit for the band. While the record sold well, the band launched a huge tour, and solidified their status as first class showmen.

For the follow up to Theater of pain, Girls, Girls, Girls, the band once again changed their image. Adopting a outlaw Biker attire, and recapturing the early raw and aggressive attitude of the band, Girls, Girls, Girls, became a hit.

Never ones to play it safe, the bands video for the ballad, "You're all I need" was banned from MTV for excessive violence. The song tells the story of an insane person who so loves his girl friend that he kills her. The execs at MTV, by this time no longer the revolutionary venue for artist, but yet another corporate music empire, found the video's subject matter as too controversial, and refused to play it.

The band most popular record to date, Dr. Feelgood was released in 1989, and soon captured the number one slot on the US charts. a Greatest hits was released two years later called "Decade of Decadence". Decade reached number 2 on the US charts.

In Feb. 1992 the band decided to fire Vince Neil, after he showed up hours late to practice one night. Feeling that he was no longer committed to the band as he should be, they parted ways with their front man. A heated court battle insued, and Vince started his own band, and the Crue hired John Corabi to take Neil's place.

1994's Motley Crue with Corabi on Vocals was a musical experiment for the band, they played with the industrial rock sound, and the record never really took off. And the supporting tour was plagued with small half filled venues.

Lead singer Corabi was on rocky terms with the band when they began recording Personality #9. The release date was pushed back, and rumors spread the the Crue was reuniting with Vince Neil. The reunion was announced by Tommy Lee's wife Pamela Anderson on the America Music Awards on Jan 21, 1997.

The reunited Crue headed into the studio to try and salvage as much of Personality #9 as they could, The result was the Generation Swine album.

The record proved that the magic of the Crue was once again present, when the album debuted at number 4 on the US Charts.

Written by Keavin Wiggins (Managing Editor)

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