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Ted Nugent Artist Feature


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Biography
"I never wanted to be a rock star. I only wanted to make incredible, dynamic, thump master music. And when you are inspired to perform that music you so crave there is no bullshit baggage."

Celebrate the great All-American rock and roll spirit as Detroit's Gonzo Guitar Master, Ted Nugent, unleashes a mighty new live assault, Full Bluntal Nugity on Spitfire Records in June.

Recorded live at The Palace Of Auburn Hills on December 31, 2000, Full Bluntal Nugity throws rocket fuel on twelve firebreathing Nugent classics including such delightfully lascivious odes to the female form as "Cat Scratch Fever," and "Wang Dang Sweet Poontang" alongside signature power cuts, "Stranglehold " "Free For All" and "Great White Buffalo."

Augmented by the world’s greatest rhythm section of legendary drummer, Tommy Aldridge (Ozzy Osbourne) and virtuoso bassist, Marco Mendoza (Thin Lizzy), Nugent's uncompromising brand of sonic bombast slams the bullseye every time. It'll rattle your cranium with devastating force and have you screaming for more. "When I saw what we were doing in 2000 on the KISS tour, the outrageous intensity, enthusiasm and energy; the tightness, attitude and Spirit of what Tommy and Marco were bringing to my classic, historical songs and new stuff, I said, "My fuckin' God, we've gotta capture this shit! So we set up mics and recorded my New Years Eve Motor City Soulfire. The energy that night metastasized like some kind of cancerous, monstrous positive beast. And that's what we captured (laughs)."

Tracks for Full Bluntal Nugity include: "KLSTRPHK," "Paralyzed," "Snakeskin Cowboys," "Wang Dang Sweet Poontang," "Free For All," "Yank Me Crank Me," "Hey Baby," "Fred Bear," "Cat Scratch Fever," "Stranglehold," "Great White Buffalo," and a deliriously dangerous "Motor City Madhouse."

Nugent reflects on the live experience. "When you're playing live you don't have to worry about how it's recorded, how it's produced, how someone thought the record could be better facilitated via a studio maneuver. What you're getting is the beast untamed in his wild environment. My musical vision is as pure as the eye of the storm."

Forget Survivor, CBS’ highly rated reality series. That's kid stuff--Uncle Ted would eat 'em up and spit 'em out and still have room for dessert. After five decades of ruthless hand-to-hand, rock-n-roll combat, Ted Nugent is rock and roll's true survivor. "Two words describe why I've lasted so long," reveals the Gonzo King. "Priorities and discipline. The priority is healthy self, mind, body and soul. Number two, I discipline myself. When the hippies and the punks and the droolers and the pukers and the gaggers laughed at me for not taking their poisons, I mean give me a break! You call that peer pressure? A guy puking ain't my peer!" Born in Detroit in 1948, Ted Nugent was vaccinated by the rock and roll bug at a young age. Receiving his first guitar at age six, Nugent attacked his instrument like a man possessed, quickly mastering his six-string weapon of choice. Fronting such local outfits as his 1963 Michigan Battle Of The Bands winner

The Lourdes and The Royal High Boys helped Nugent prepare for the long rock and roll battlefield ahead.

His first big slam dunk came in 1967 when Nugent's band, The Amboy Dukes, were signed to Mainstream Records. A year later, the group scored a breakout #16 hit with "Journey To The Center Of The Mind," a sprawling, mind-expanding seminal psych-rock classic that stands today. Between the years of 1967-1975, despite a dizzying series of personnel changes, Nugent kept the Amboy Dukes kickin' out the jams before embarking on a solo career.

Nugent's magnificent self-titled 1975 debut album set the stage for a spectacular career of hell raising Gonzo guitar mayhem. A master guitarist, accomplished songwriter and wild showman, it was no surprise that the success of Ted Nugent led to a rapid fire succession of multi-platinum albums including Free For All (featuring budding musical star Meat Loaf on several cuts), Cat Scratch Fever, Double Live Gonzo!, Weekend Warriors and State Of Shock. Nugent remembers those years, "It was like a runaway freight train. This one just happens to be up your ass. It doesn't matter whether I'm playing a song around a campfire for four of my best hunting buddies in New Mexico or in front of a half a million people at the Cal Jam, I always perform the same way. I was just down in the studio with my new drummer a half an hour ago. How can you not play "Motor City Madhouse" without giving it everything you've got? (laughs) The lick won't let you get away with it. I like to soar with the eagles. I like to go where no one's ever tread before and do things that aren't supposed to be legal on the guitar. I crave that stuff."

By the turn of the Eighties, however, like other Seventies giants, Aerosmith and KISS, Nugent's commercial fortunes took a nosedive. But like a soldier fiercely committed to the battle at hand, the ever resilient Nugent rallied on, recording a string of new studio albums (Scream Dream, Intensities In 10 Cities, Nugent, Penetrator, If You Can't Lick 'Em, Lick 'Em) and logging millions of miles on the rock and roll highway. The Nineties saw a major renaissance for the "Motor City Madman" in the shape of a new supergroup, his Damn Yankees, a band whose recruits included former Styx guitarist, Tommy Shaw and ex-Night Ranger bassist, Jack Blades. The group's self-titled 1990 debut was an instant success and included the # 3 smash, "High Enough." Life was mighty good for "The Nuge" in the Nineties. Enjoying the overflowing fruits of his newfound commercial success, Nugent was able to deftly balance a blockbuster career with Damn Yankees and as a solo artist, while allowing ample time for his other great love, hunting, and what he celebrates as The Great Spirit Of The Wild."

"Since 1959 it's been one big fire-breathing peak for me," explains Nugent. "I don't mean to discount that success to anybody. I acknowledge these incredible highpoints and I thank God for them and I thank my family for putting up with my ass, but you know I'm so deep into it that it's almost like someone has to go, "Hey Ted, you've made another million dollars" and I go, "That's neat, I'm goin' deer hunting."

In today's politically correct climate, Ted Nugent revels in his outlaw status. Equally adept in the great outdoors with a bow and arrow or decimating concert audiences with an ear-splitting, sensually stimulating guitar riff, Ted Nugent is undeniably one of rock's most colorful and outrageous personalities. Now barreling headfirst into the 21st Century, after five decades of dedicated service in the trenches, Ted Nugent remains a singularly distinctive, and uncompromising artist whose joyous thirst for rock and roll is unequaled. Willfully headstrong, and savagely opinionated, Nugent's plate is robust and full. A world renowned hunter, NRA board member, New York Times best selling author, magazine publisher (Ted Nugent's Adventure Outdoors), award-winning writer for over forty publications, radio personality, and business entrepreneur, Ted Nugent still lives and dies for the raucous "wango tango" primal scream that is his sacred R&B rock and roll. After blasting Full Bluntal Nugity, you will too….

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