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Eve 6
Max Collins - Vocals, Bass
Jon Siebels - Guitar, Vocals
Tony Fagenson - Drums, Vocals It doesn't take an astrologer to notice that there is the sharpness and a vital energy of Eve 6. The Los Angeles trio write powerful, hook-filled songs, guided by the smart lyrics of Max Collins and fueled by youthful exuberance. Little wonder that Eve 6 formed and was signed when they were still in high school. After being given some time for self-directed development, they scored a platinum debut album in 1998 and a huge Modern Rock hits with "Inside Out" and "Leech." 

The group's second record for RCA Records, Horrorscope, is a punchy collection of concise melodies and a powerful roar. Produced by Don Gilmore (Pearl Jam, Lit)-who also did the band's debut-Horrorscope is the sound of a band playing to its strengths, but also opening up their sound; one example of which is Max's decision to hand over bass duties to a tour musician so he can be more active on stage. With different textures and approaches to melodic pop-punk, Horrorscope charts the trio's growth and progression. But they haven't lost their sense of fun-the band's video game addiction (and "Soul Calibur" for Dreamcast in particular) led them to ask Randy Green (who designed the legendary Lara Crofft) to design a comic book-style cover which comes to life in the video for "Promise," the record's first single. Eve 6 is a band that understands how to be serious without taking themselves too seriously. 

So, you worked with Don Gilmore again.

Tony: He knows how to keep our butts in gear and keep arguments down. He's a great mediator. And he's a great guy to be around for three or four months; he keeps the morale way up.

Max: When we started thinking about our next record, we didn't even consider anybody else. Don is almost like another member of the band. He completely gets us and, because we're still new to recording, I think it was important for us to be with someone that we feel comfortable with and knows what we want.

Jon: If it isn't broken, why try to fix it? Don has a really good sense of how to construct a song and shave off the fat. He has great ideas and, with him, we don't feel like a producer is stifling what we're trying to do.

Talk a little about Horrorscope's first single, "Promise."

Max: I actually wrote the verses of "Promise," or at least a rough draft of it, two and a half years ago, right after we completed our first record and before we started touring. It's about being unsure about new relationships and life in general and vowing to myself not to make promises to anyone.

Jon: We knew as soon as we wrote it that it was going to be the first single.

Tony: It's pretty much what you've come to expect from Eve 6 but a whole lot better. That's kind of the way I look at everything on Horrorscope... we did it loads better this time. We're very confident with this record; we've grown and matured quite a bit as people, as well as musicians.

What are your favorite songs on Horrorscope?

Max: "On the Roof Again" and "Rescue" are probably my current favorites. "On the Roof Again" was lyrically a new songwriting experience for me. It wasn't based on my personal experiences, but about a friend of mine who I see going down this well-treaded path that leads to despair.

Tony: I'm still in that very excited phase where every time I listen to the record I get a new favorite song. It changes every week, probably every song on the record has been my favorite at one time or the other.

What was the songwriting process like?

Jon: It's actually a very collective process with all three of us. Max comes to us with a basic idea, maybe a verse and a chorus and some lyrics, and then the three of us sit down in a rehearsal studio and just bash it out. We've done it this way since the beginning and it works for us.

Have your influences changed since the debut?

Jon: They've definitely expanded, that's for sure. When we came off the road, I was looking for something different. I moved away from the sort of pop-punk that I've always listened to and started listening to electronica, some rap records... I think that's definitely had some influence on our record. I mean, Horrorscope still sounds like us but its layering has taken a different route this time.

Max: We listen to everything these days. Right now, I'm really into the new Oasis record and the guys are listening to Dr. Dre 2001, so it's a wide span of stuff.

The legend goes that you were signed while you were still in high school. How did that happen?

Max: We played this horribly messy showcase for a couple of A&R guys five years ago. We were messing up left and right, but RCA saw potential and wanted to let us develop musically on our own and still finish high school. That was an awesome thing.

What did that do for your confidence, knowing that people were investing in your potential?

Max: It boosted it a lot. But after the first year went by, we were still playing the same coffee shops and didn't have a record out. It was frustrating and we wished we could have done an album right then and there. But in retrospect, it's so good that we didn't. It would've been a bad idea for us to record our major label debut when we were still in high school.

Jon: Most bands don't get that sort of a chance and I think it was really cool that RCA went a different route. They really let us do our thing and develop on our own. It was nice for us, as juniors and seniors in high school, to not worry about working horrible jobs so we could concentrate on songwriting.

After having a hit debut, were you worried about coming out with the next record?

Max: For us, there was more pressure to make a great album. It was like, 'We gotta do this. This has to be the best possible material we can put together.' I'm really proud of it.

Tony: Any time a band has a hit they think, 'Well, we want to keep our career going. We have to write another hit.' But we didn't go into recording the album with that mindset at all. We went in thinking, 'Let's pretend we're starting over, that this is our first chance to make an album.' In a lot of ways, Horrorscope is a clean slate for us.

Are you afraid that your sense of humor gets overlooked?

Jon: A little bit, yes. I think that with our first record, we came off as very serious. But there's a side of us that really doesn't take ourselves seriously and makes jokes out of everything. But now we found a happy medium and people are going to see the lighter side of us this time around.

How does that translate in the live show?

Tony: In our live shows, you get a sense of fun and maybe even more excitement than you do on our records. We try to keep it spontaneous. If we make it fun for ourselves, the crowd feeds off that.

Tony: You really can't complain when you get to play in front of thousands of people every night that are digging your shit and understanding what you're trying to do. If we can do that forever then we'll be very happy.

How about some dirt? What's something that people outside of the band may not know about your bandmates?

Max: Jon is a very shrewd business guy, and I think we would have been screwed if it weren't for him. He's always got his eyes and ears open and leads us in the right direction with things. Tony is a total perfectionist when it comes to all the bells and whistles in the studio. He really knows how to fine tune and he's really got an ear for arrangement and he's a musical guy. He can play just about everything.

Jon: Nobody can pronounce Tony's last name right, so now we either call him Fergenson or Fargenson [laughs]. That and the fact that Max wears the same clothes every day.

Tony: Max has the best personal hygiene I've ever seen [laughs]. He brushes his teeth, like, five times a day and showers three times a day. He's always sparkling clean. His idea is, if you shower all the time, then you can wear the same clothes every day. And Jon has a bitchin' pad. He's the only one of us that actually owns a house so we hang out there every couple of days and have little parties.

Max: We're lucky to have each other.
 


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