The group has made tons of adjustments to their sound over the years too; these days the favorite is a gloomy darkness that stops just short of doom metal. Buzzo gives the murk lots of flavor though; "Suicide in Progress" is informed by '70s southern rock, "Billy Fish" is quirky prog-rock like you might hear on a Primus record and the title cut with it's huge two-drummer flourish hints at the early days of the Who. "Dies Iraea" puts an interesting accent on doom as Buzzo lays a "spaghetti western" theme over a sludgy drone and comes up with the perfect soundtrack for a shootout at high noon, provided that the gunslingers are cyborgs and the showdown takes place in downtown Hell.